. a collection of work curated & made by Andres Felipe Troncoso a Colombian Architectural Designer
[SPACES]
[PROFESSIONAL EXPERIENCE] `

Curriculum Vitae
Last Updated 03.09.2026
Andres Felipe Troncoso


 I take cues from painting, literature, and visual traditions, not as references, but as working tools. My projects test those influences through form, material, and systems, proposing new futures for the built environment.

Education / 
Merit Awards
Georgia Institute of Technology
M.Arch
2026

Marthame Sanders Fellow 2025

Georgia Institute of Technology
B.S.Arch
2022

HOPE Scholarship Undegraduate 
Employment


Mack Scogin and Merrill Elam Architects. Atlanta, GA
May - Aug 2025

Collaboarted in a small team to develop a schematic design package for The Stitch Atlanta Project. Taking lead of the
design of the Shade Pavillion, under the guidance of Mack Scogin & Merril Elam.

Projects: 
  • The Stitch, Highway Cap - SD, Atlanta GA


Cooper Carry - Higher Education. Atlanta, GA
July 2022 - March 2025

Took part on all Phases of design, creating visually and organized work for the design and cosntruction of college
buildings. Expertise on project proposals, design development, construction documents, and detailing.

Projects: 
  • Georgia Tech Student Center - Wishlist Items, Atlanta GA
  • Amber Grace Community - SD, DD, CD, CA, Rome, GA
  • Berry College Health Science - SD, DD, CD, CA, Rome, GA
  • Clemson University Owens Pavillion  - Design Build, Clemson, SC
  • Gatewat 737 - DD, CD, Columbia, SC
  • Cherry Creek K-12 - Master Plan, Greenwood Village, CO


Afternoon Workshop - Atlanta, GA
Founded 2025

Focused on pre-permitting documentation and proposal for commercial real estate developments, including re-zoning
application and LDP applications.

Research /
Teaching Campus Waste to Civic Architecture - Atlanta, GA
Graduate Teaching Assistant - Instructor: Hyojin Kwon
Spring 2026

Intro to Design - Atlanta, GA
Graduate Teaching Assistant - Instructor: Michelle Reinhart
Fall 2025

Simtigrate Lab - Atlanta, GA
Undergraduate Research - Director: Craig Zimring
Fall 2026

Awards /
Competitions Georgia Tech 2025 Portfolio Showcase Comp. - Atlanta, GA

Marthame Sanders Design Excellence 2025 - Atlanta, GA

Portman Prize Studio 2025 Finalist - Atlanta, GA

 Habitat for Humanity Model Home Redesign - Atlanta, GA

 Redefining the Metaverse - Atlanta, GA

Georgia Tech 2020 Portfolio Showcase Comp. - Atlanta, GA

Georgia Tech 2018 Portfolio Showcase Comp. - Atlanta, GA

Tongji Construction Festival Comp. - Shanghai, China

Skills / Software
  • Revit
  • Adobe Suite
  • Rhino
  • GrassHopper
  • Sketch up
  • AutoCad

  • LadyBug
  • Climate Studio
  •  Python + GH Integrations
  • Arch Gis
  • Fologram
  • Autodesk Forma




atroncoso19@gatech.edu

Immortal Space


Superposition as Morphology

Marey’s chronophotography collapses time into a single, legible image: motion is not illustrated as narrative, but registered as a measured trace across a field. By stacking sequential phases onto one plate, the body becomes both subject and drawing instrument, producing bands, arcs, and joint-points that read like a proto-diagram of circulation, effort, and tempo. In Immortal Spaces, this becomes a morphological method: architectural form is treated as the afterimage of repeated occupation, where space thickens through accumulation and the life of a room is made durable as geometry.

Morphology Study _ 1

Morphology Study _ 2

Time & Recurrence as Morphology

Dan Coe’s LiDAR-derived river maps operate like chronophotography for landscapes, collapsing long durations of movement into a single, legible surface. Built from elevation data that can be filtered into bare-earth terrain models, the images reveal former channels, floodplain fingerprints, and sedimentary histories that are otherwise concealed, so the river reads less as a line and more as a thick record of recurrence. In Immortal Spaces, this suggests a morphological method: architectural plans and sections can be generated from layered traces of flow

24 Atlanta Columns
Narrative Catalog of Types

 This exploration treats the column as more than a vertical support, using it as a lens for how structure, authorship, and memory become visible in space.

Across the set, columns shift between real load-bearing work and symbolic performance, from scaffolding and circulation frames that expose risk, maintenance, and movement, to infrastructure supports that absorb public inscription and time. In Oakland Cemetery, classical language becomes a toolkit for commemoration, where fluting, pedestals, gates, and framed urns turn remembrance into a staged threshold, and where damage, patina, and ruin complicate claims of permanence. Other examples push the column into object and image, from furniture-scale ornament that miniaturizes authority to sculptural vectors that aim for aspiration without shelter. Finally, material and detail become evidence of intent and era, from rivets and rust to carved stone and mass timber, showing how columns register economy, craft, and environmental ethics. Read together, these types argue that a column always carries a narrative, in what it holds, how it is made, how it ages, and how it directs the body through space.